Johnny D
As the son of Eritrean refugees, Johannes Debese a.k.a. Johnny D. became acquainted with a wide array of music styles at an early age – from Tigrinya, the Eritrean music of his heritage, to hip-hop, funk and soul. During the breakbeat-craze in the Rhein-Neckar delta he first came into contact with electronic music at the age of thirteen, soon afterward deciding to take to the turn tables. His first electronic music sets at modest breakbeat events followed, and Johnny D. quickly developed into a versatile artist active in the Mannheim Collective. He met Ray Okpara in 1999 by the good grace of their mutual hip-hop interest. They would both later organize the Rajo-Music house parties together with Nick Curly and spin all at the Loft Club in Ludwigshafen.
Johnny D. was also active in the Rhein-Neckar party scene as one of the co-founders (Ray Okpara, Federico Molinari, Nekes)of the Mannheim Zoo Club, which quickly rose to wild popularitywith its rotating line up of national and international acts, and local DJs.
Johnny D’s style continued to develop under the influence of minimal electronic music, prompting him to try his hand at producing. His musical versatility makes it difficult to define his style, but one can safely locate his music and vinyl selection somewhere between deep-house, minimal, and techno. The outcome of this spectrum of styles is his own style which is arising itself on vinyl and affectionately arranged live acts. His first release Manipulation and Gualia came out on Oslo rec., the label of his 2 old friends Federico Molinari and Nekes, in june 07. So another chapter was opened for him as musican which he will release now on further.
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O Johnny D
As the son of Eritrean refugees, Johannes Debese a.k.a. Johnny D. became acquainted with a wide array of music styles at an early age – from Tigrinya, the Eritrean music of his heritage, to hip-hop, funk and soul. During the breakbeat-craze in the Rhein-Neckar delta he first came into contact with electronic music at the age of thirteen, soon afterward deciding to take to the turn tables. His first electronic music sets at modest breakbeat events followed, and Johnny D. quickly developed into a versatile artist active in the Mannheim Collective. He met Ray Okpara in 1999 by the good grace of their mutual hip-hop interest. They would both later organize the Rajo-Music house parties together with Nick Curly and spin all at the Loft Club in Ludwigshafen.
Johnny D. was also active in the Rhein-Neckar party scene as one of the co-founders (Ray Okpara, Federico Molinari, Nekes)of the Mannheim Zoo Club, which quickly rose to wild popularitywith its rotating line up of national and international acts, and local DJs.
Johnny D’s style continued to develop under the influence of minimal electronic music, prompting him to try his hand at producing. His musical versatility makes it difficult to define his style, but one can safely locate his music and vinyl selection somewhere between deep-house, minimal, and techno. The outcome of this spectrum of styles is his own style which is arising itself on vinyl and affectionately arranged live acts. His first release Manipulation and Gualia came out on Oslo rec., the label of his 2 old friends Federico Molinari and Nekes, in june 07. So another chapter was opened for him as musican which he will release now on further.
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