Charlotte Adigéry
Ghent-based, Belgian-Caribbean musician Charlotte Adigéry brims with imagination. Her left field pop is sweet, moreish and deliciously unpredictable, topped with engagingly soft vocals. She often records using the WWWater moniker, stripping conventional song structures for parts to form a dizzying, minimalist take on electropop. Anchored by her soft, mutable voice, Adigéry’s music can assume blue shades one moment and fiery passion the next, whether delivered in English or her native French.
On Zandoli, Adigéry’s second EP under her given name, she takes the same vitalizing qualities of those early, exploratory song sketches as WWWater and buffs them into high gloss. The EP showcases DIY, mish-mash sounds, leaping between subjects and concepts, considering everything from presenting black femininity to cartoonish sex. Meanwhile, under her WWWater alias she leans into an experimental, electropunk rabbit-hole, serving up brash, manic sounds: it’s a hard sound that serves as the yin to the yang of the softer, sweeter work under her own name.
O Charlotte Adigéry
Ghent-based, Belgian-Caribbean musician Charlotte Adigéry brims with imagination. Her left field pop is sweet, moreish and deliciously unpredictable, topped with engagingly soft vocals. She often records using the WWWater moniker, stripping conventional song structures for parts to form a dizzying, minimalist take on electropop. Anchored by her soft, mutable voice, Adigéry’s music can assume blue shades one moment and fiery passion the next, whether delivered in English or her native French.
On Zandoli, Adigéry’s second EP under her given name, she takes the same vitalizing qualities of those early, exploratory song sketches as WWWater and buffs them into high gloss. The EP showcases DIY, mish-mash sounds, leaping between subjects and concepts, considering everything from presenting black femininity to cartoonish sex. Meanwhile, under her WWWater alias she leans into an experimental, electropunk rabbit-hole, serving up brash, manic sounds: it’s a hard sound that serves as the yin to the yang of the softer, sweeter work under her own name.