Anna Reinhold
Muzyka klasyczna, Opera | Following her studies at the Conservatoire National Supérieur de Musique et de Dance in Paris and the University of Vienna, Anna Reinhold made her stage debut under the direction of William Christie. As part of Jardin des voix, the academy of Les Arts Florissants, she sang the part of Cybèle in a production of Lully’s Atys at the Opéra Royal de Versailles and at the Brooklyn Academy of Music in New York. Numerous collaborations with Les Arts Florissants followed: she has been the Witch in Purcell’s Dido and Aeneas, Demon in Handel’s Acis and Galatea, Proserpine in Charpentier’s La Descente d’Orphée aux Enfers, and has appeared in a recital of Rameau’s arias at the Konzerthaus in Vienna and the Mariinsky Theatre in St Petersburg. Most recently, this fruitful collaboration has resulted in the release of a second volume of “Airs sérieux et à boire” (Harmodia Mundi).
Anna Reinhold founded her own ensemble, Caravaggio, with which she continues exploring chamber music and the lied repertoire of the late 18th and early 19th century and collaborating with musical partners such as Quito Gato on the theorbo and guitar or Florent Albrecht on the fortepiano.
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O Anna Reinhold
Following her studies at the Conservatoire National Supérieur de Musique et de Dance in Paris and the University of Vienna, Anna Reinhold made her stage debut under the direction of William Christie. As part of Jardin des voix, the academy of Les Arts Florissants, she sang the part of Cybèle in a production of Lully’s Atys at the Opéra Royal de Versailles and at the Brooklyn Academy of Music in New York. Numerous collaborations with Les Arts Florissants followed: she has been the Witch in Purcell’s Dido and Aeneas, Demon in Handel’s Acis and Galatea, Proserpine in Charpentier’s La Descente d’Orphée aux Enfers, and has appeared in a recital of Rameau’s arias at the Konzerthaus in Vienna and the Mariinsky Theatre in St Petersburg. Most recently, this fruitful collaboration has resulted in the release of a second volume of “Airs sérieux et à boire” (Harmodia Mundi).
Anna Reinhold founded her own ensemble, Caravaggio, with which she continues exploring chamber music and the lied repertoire of the late 18th and early 19th century and collaborating with musical partners such as Quito Gato on the theorbo and guitar or Florent Albrecht on the fortepiano.