De Potentia Dei

Casimir Malevich wanted to burn all art down to its ashes and make squares from them. e black square (the so-called art of “everything”) does not appear here by accident. What is its origin? Isn’t a square in fact a circle, the return of “everything”? And should we even talk about important issues? is is where the issue of spying comes up. Agents want to remain silent. IT experts are in favor of total honesty, proximity, accessibility. Distance or proximity? The film De Potentia Dei looks at these and other questions. e whole journey of the radically free documentary musical is being taken further with music. The film that speaks of me, you, and itself looks for its place on Earth, to be in touch with it. It resurrects Malevich’s foot.