Stephan Micus

When the American Billboard magazine wrote in 2000 that "the history of world music begin with Stéphane Micusem" definitely exaggerated. In the German-born musician had appeared remote musical cultures and played on an instrument unknown to Western listeners even at a time when the term world music officially did not exist. Since the mid-1970s, his recordings are traditional instruments from Africa to the Middle East to the East, which has always dominated the Micus, under the supervision of local teachers. Instead of mimicking of other cultures, however, uses the procedures of ethnic music for his own songwriting purposes and under his hands so there is a completely unique music beyond all boundaries and rules. "There are musical instruments, for which just one tone and transfer you to your natural environment. My goal with these tools is to create a whole new world. "explains his method in an interview Micus.

For the initiatory experience is considered to be his first trip to Micus Morocco in 16 years. Since it is permanently on the move and constantly absorbs new experience in various parts of the world. His discography is opened in 1976 with the album Archaic Concerts, which combined a bamboo flute shakuhachi and zither. Intensive training in a monastery in Kyoto reviewed and a year younger Board Implosions, which begins his longtime collaboration with legendary label ECM. It has over two dozen albums, each of which offers a unique audio adventure. On Towards The Winds is the duduk, an Armenian a hearing on Fields with stones and Twillight last year's album of the Panagia is dedicated to personal interpretations of prayer of Byzantine Greeks. The principles of Micusovy works also include that on their albums and plays a fundamentally alone, and does not use the předtočené concerts sounds.

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About Stephan Micus

When the American Billboard magazine wrote in 2000 that "the history of world music begin with Stéphane Micusem" definitely exaggerated. In the German-born musician had appeared remote musical cultures and played on an instrument unknown to Western listeners even at a time when the term world music officially did not exist. Since the mid-1970s, his recordings are traditional instruments from Africa to the Middle East to the East, which has always dominated the Micus, under the supervision of local teachers. Instead of mimicking of other cultures, however, uses the procedures of ethnic music for his own songwriting purposes and under his hands so there is a completely unique music beyond all boundaries and rules. "There are musical instruments, for which just one tone and transfer you to your natural environment. My goal with these tools is to create a whole new world. "explains his method in an interview Micus.

For the initiatory experience is considered to be his first trip to Micus Morocco in 16 years. Since it is permanently on the move and constantly absorbs new experience in various parts of the world. His discography is opened in 1976 with the album Archaic Concerts, which combined a bamboo flute shakuhachi and zither. Intensive training in a monastery in Kyoto reviewed and a year younger Board Implosions, which begins his longtime collaboration with legendary label ECM. It has over two dozen albums, each of which offers a unique audio adventure. On Towards The Winds is the duduk, an Armenian a hearing on Fields with stones and Twillight last year's album of the Panagia is dedicated to personal interpretations of prayer of Byzantine Greeks. The principles of Micusovy works also include that on their albums and plays a fundamentally alone, and does not use the předtočené concerts sounds.

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