Jaye Jayle

Punk, Rock, Alternative/Indie USA jayejayle.bandcamp.com
S Jaye Jayle

Past concerts

Jaye Jayle + Nyos Poznań, Pawilon 19/4/2019 20:00 Jaye Jayle + Nyos
Jaye Jayle + Tábor Praha 6, 007 Strahov 16/4/2019 19:00 Jaye Jayle + Tábor
Jaye Jayle + support: Or Brno, Cabinet of the Muses 15/4/2019 20:30 Jaye Jayle + support: Or
Jaye Jayle Berlin, Privatclub 14/4/2019 20:00 Jaye Jayle
Emma Ruth Rundle + Jaye Jayle Praha 6, 007 Strahov 19/10/2018 20:00 Emma Ruth Rundle + Jaye Jayle


Jaye Jayle  No Trail  Jaye Jayle – No Trail 9:12 22 ×
Jaye Jayle  Pull Me Back To Hell  Jaye Jayle – Pull Me Back To Hell 3:49 20 ×
Jaye Jayle  As Soon As Night  Jaye Jayle – As Soon As Night 5:53 7 ×
Jaye Jayle  (live)  Jaye Jayle – (live) 7:40 6 ×

About Jaye Jayle

“Anyone who is using more than two chords is just showing off.”

Woodie Guthrie’s famous quote became a mantra for young musicians who rallied around folk’s austerity, and later inspired a new generation of artists who basked in punk’s primitivism. Guthrie’s songs may not be an influence on Louisville’s Jaye Jayle, but his call for simplicity as a deliberate choice versus a matter of mere ability resonated with the veterans of Kentucky’s dark indie scene. Naming themselves Jaye Jayle as a pen name or a pseudonym to veer away from a traditional band moniker, the group sought to eliminate unnecessary variables and deconstruct their compositions down to their most concentrated essence. Jaye Jayle owe less to their nation’s roots music and more to peripheral rock bands that have taken the “less is more” attitude to its furthest reaches. Imagine Spacemen 3 without the saturated wall of distortion, or Neu! without the upbeat motorik pulse, or Lungfish without the shamanistic howls. But these reference points seem either too bombastic or too lush. Perhaps a nexus of The Troggs’ ham-fisted drumming, Angels of Light’s ominous twang, and Suicide’s swaths of negative space hits closer to the mark, but even that does not do the band justice. Jaye Jayle’s debut album House Cricks and Other Excuses To Get Out is an exercise in tension and restraint, a tightrope act between singer-songwriter traditions and art rock experimentation, and an intersection of Southern cultural permutations and otherworldly sounds.


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