Sylvain Chauveau
The border between high art and pop, dissolve, as well as intensely rozmlžuje to be the difference between experimental music, its branches or contemporary dance variations on the classics. Born in France and in Belgium living composer Sylvain Chauveau personifies all of these tendencies — the biggest fuss was caused in 2005, when together with his team he is best known for hits such as Ensemble Nocturne Depeche Mode to a fragile acoustic guise. It worked very well and also so formulated Chauveau your worldview and the basic point of departure: the music is the only one in his case and the way in which it is performed, the result is not important. It is about emotions.
Although the Chauveau in its combination of electro-acoustic music and ambient zašťiťuje a variety of concepts, often need to be examining the silence on the minialbu with the result is always the music that doesn't need any additional explanations. This approach gives a large degree of Chauveau Sylvainovi creative freedom, which should be implemented on the groundbreaking album 2007-Nuage this recording, which is in itself very organically combines the fascination of the modern classic, piano and string strumming area, we can boldly classified among the best records of quantities such as Max Richter or a band of Stars Of The Lid. As well as the appointed and the album proved great Chauveau balance on the thin edge between a dream and a magical ambientem and little sentimentem.
Chauveau, but always changing--in his latest incarnation, which was introduced at last year's album Kogetsudai, finely odsypává electronic drones, which mixes with the digital tepáním, a sort of glitchy, masculine voice tuning shortwave radio. In addition, with the whole recording helped Adam Wiltzie, i.e. half of the Stars Of The Lid, which is also associated with projects such as The Dead Texan, Aix Em Klemm or The Winged History For The Sullen. It is therefore obvious that Chauveau still significantly changes his sound and models, as well as his own music in this part of the story but leaves float in the background of pervasive emotions, which can sometimes hide, but actually the whole Musical Odyssey steer.
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Über Sylvain Chauveau
The border between high art and pop, dissolve, as well as intensely rozmlžuje to be the difference between experimental music, its branches or contemporary dance variations on the classics. Born in France and in Belgium living composer Sylvain Chauveau personifies all of these tendencies — the biggest fuss was caused in 2005, when together with his team he is best known for hits such as Ensemble Nocturne Depeche Mode to a fragile acoustic guise. It worked very well and also so formulated Chauveau your worldview and the basic point of departure: the music is the only one in his case and the way in which it is performed, the result is not important. It is about emotions.
Although the Chauveau in its combination of electro-acoustic music and ambient zašťiťuje a variety of concepts, often need to be examining the silence on the minialbu with the result is always the music that doesn't need any additional explanations. This approach gives a large degree of Chauveau Sylvainovi creative freedom, which should be implemented on the groundbreaking album 2007-Nuage this recording, which is in itself very organically combines the fascination of the modern classic, piano and string strumming area, we can boldly classified among the best records of quantities such as Max Richter or a band of Stars Of The Lid. As well as the appointed and the album proved great Chauveau balance on the thin edge between a dream and a magical ambientem and little sentimentem.
Chauveau, but always changing--in his latest incarnation, which was introduced at last year's album Kogetsudai, finely odsypává electronic drones, which mixes with the digital tepáním, a sort of glitchy, masculine voice tuning shortwave radio. In addition, with the whole recording helped Adam Wiltzie, i.e. half of the Stars Of The Lid, which is also associated with projects such as The Dead Texan, Aix Em Klemm or The Winged History For The Sullen. It is therefore obvious that Chauveau still significantly changes his sound and models, as well as his own music in this part of the story but leaves float in the background of pervasive emotions, which can sometimes hide, but actually the whole Musical Odyssey steer.
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Elektronische Musik, Ambient, Minimalism, Instrumental
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