Ljubov Petrova
Hailed as a “soprano of ravishing, changeable beauty, blazing high notes and magnetic stage presence” by Opera News, Lyubov Petrova’s recent highlights include returns to Florida Grand Opera as Countess Almaviva in Le nozze di Figaro, and for her first performances as Tatyana in Eugene Onegin, her first performances of Freia in Das Rheingold with both the London Philharmonic and Odense Symphony Orchestras, Sophie in Der Rosenkavalier at the Bolshoi Theater in Moscow, Sofya in Prokofiev’s Semyon Kotko with Vladimir Jurowski conducting the Netherlands Radio Philharmonic at the Amsterdam Concertgebouw, and a return to the Metropolitan Opera New York as Susanna in Le nozze di Figaro. She also joined Bard Music Festival for Marfa in The Tsar’s Bride, and on the concert stage gave her first performances of Beethoven’s Symphony No. 9 with the Philharmonia Orchestra under Jakub Hrusa, and Britten’s War Requiem with the Royal Philharmonic Orchestra under Vasily Petrenko, in London’s Royal Festival Hall and Royal Albert Hall respectively. She also sang Mozart’s Exsultate Jubilate with the San Antonio Symphony, Shostakovich’s From Jewish Folk Poetry at Music@Menlo, and returned to La Jolla Music Festival for performances Villa-Lobos’ Bachianas Brasileiras and selections of Schubert Lieder.
Über Ljubov Petrova
Hailed as a “soprano of ravishing, changeable beauty, blazing high notes and magnetic stage presence” by Opera News, Lyubov Petrova’s recent highlights include returns to Florida Grand Opera as Countess Almaviva in Le nozze di Figaro, and for her first performances as Tatyana in Eugene Onegin, her first performances of Freia in Das Rheingold with both the London Philharmonic and Odense Symphony Orchestras, Sophie in Der Rosenkavalier at the Bolshoi Theater in Moscow, Sofya in Prokofiev’s Semyon Kotko with Vladimir Jurowski conducting the Netherlands Radio Philharmonic at the Amsterdam Concertgebouw, and a return to the Metropolitan Opera New York as Susanna in Le nozze di Figaro. She also joined Bard Music Festival for Marfa in The Tsar’s Bride, and on the concert stage gave her first performances of Beethoven’s Symphony No. 9 with the Philharmonia Orchestra under Jakub Hrusa, and Britten’s War Requiem with the Royal Philharmonic Orchestra under Vasily Petrenko, in London’s Royal Festival Hall and Royal Albert Hall respectively. She also sang Mozart’s Exsultate Jubilate with the San Antonio Symphony, Shostakovich’s From Jewish Folk Poetry at Music@Menlo, and returned to La Jolla Music Festival for performances Villa-Lobos’ Bachianas Brasileiras and selections of Schubert Lieder.
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