Pablo Picasso, Bildnis Nusch, 1937, Öl auf Leinwand
Henri Matisse, Porträt Lorette, 1917, Öl auf Holz
Paul Cézanne, Junges Mädchen mit offenem Haar, um 1873/1874, Öl auf Leinwand
Pablo Picasso, Bildnis Nusch, 1937, Öl auf Leinwand
Henri Matisse, Porträt Lorette, 1917, Öl auf Holz
Paul Cézanne, Junges Mädchen mit offenem Haar, um 1873/1874, Öl auf Leinwand
Pablo Picasso, Bildnis Nusch, 1937, Öl auf Leinwand
Stálá

The Museum Berggruen Is a Guest at the Sammlung Scharf-Gerstenberg

While the Museum Berggruen is closed for major renovations, and a large section of the collection is on tour, the Sammlung Scharf-Gerstenberg has made museum space available on it’s first upper level to show a small but representative selection of Berggruen works. In addition to Alberto Giacometti’s Katze (Cat, 1951), which found its place inside the Stüler building entrance, works by Pablo Picasso, Paul Klee, Henri Matisse and Paul Cézanne now hang on the walls around Giacometti’s Große stehende Frau III (Large Standing Woman III, 1960).

Three of these artists Giacometti, Picasso and Klee were in contact with the Surrealists, who are now the main emphasis of the Sammlung Scharf-Gerstenberg. In works such as Klee’s Frau R. auf Reisen im Süden (Frau R. Travelling in the South, 1924) and Picasso’s Bildnis Nusch(Portrait of Nusch, 1937), the eyes ‒ which the Surrealists paid special attention to like hardly another part of the body ‒ are the focus of the images.

Another small group of works takes portraits of women as its subject: Cézanne’s Junges Mädchen mit offenem Haar (Young Girl with Loose Hair, 1873‒74), Picasso’s Frau in einem Sessel (Woman in an Armchair, 1939), Klee’s Rotes Mädchen mit gelbem Topfhut(Red Girl with Yellow Pot Hat, 1919) and Matisse’s portrait of Lorette (1917).

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