Kangding Ray

Techno | There are few musicians who manage to explore the convergence between techno and experimental as successfully as David Letellier. Known as Kangding Ray, he has been producing for almost a decade, releasing his music exclusively on Raster-Noton and Stroboscopic Artefacts. The aesthetic domains of these two labels epitomizes Kangding Ray’s complex sound – it’s an aesthetic that tests boundaries, evolving tirelessly in its exploration of texture, rhythm, and sound design. Letellier’s foundations in rock and musique concrete give his music a vitality and uniqueness that has won fans the world over, from discerning avant-garde-electronica listeners, all the way to devoted clubbers. KR has also been known for remixing artists such as Battles on Warp, Ben Frost on Mute, or Inigo Kennedy on Token. Through a string of recent EP’s and albums, culminating with the critically acclaimed Solens Arc, KR showed his ability to keep his artistic approach while delivering direct and powerful club-leaning tracks and darkly cinematic soundscapes. On 2015’s Cory Arcane, he pushed the limits of his sound even further. Relinquishing standard rhythmic structures and conventional tonal models, he delivered what is perhaps his most sophisticated release yet; a raw and visceral universe, allowing a more fluid dialogue between soul and machines. 2017’s Hyper Opal Mantis released on Stroboscopic Artefacts heralds a new era for Kangding Ray, where he explores the tension between the natural and artificial, the body and mind, which are central themes in electronic music in general, and techno in particular. The means of creation, focused around technology and interactions with machines, contrast with the emotional response to sound, the mystical ritual of collective dancing, and the ethos of liberation and tolerance embedded in the culture it has produced.